Like I mentioned in my review of Galileo, I like Higashino, and it isn’t just because I’m a Japanophile. I do think he makes an honest effort at blending the traditional fair-play mystery novel with the more character focused and driving style so popular today, and I enjoy it, even if some people can’t appreciate it. (Just kidding JJ, we all love you, or will when you apologize for what happened in Vegas. :P ) So when A Midsummer's Equation came out I was looking forward to another round of Higashino, but sadly this one rattles a tad too much.
The story takes place at Hari Cove, a seaside resort town on the verge of plunging into an economic black hole due to lack of tourism. Hope has come in the form of DESMEC, a company that wants to drill for the abundant natural resources in the area, which could give Japan a much needed boost in that area. While many are happy for the possible economic boost, there are others who oppose the environmental destruction it will bring. One of these is Natsuki, a young woman helping out at her parent’s inn. While attending an informational meeting hosted by DESMEC, she witnesses an old man nod at her...and unknown to her, that man is our novel’s victim of the week.
During the night, the body is discovered, smashed against the rocks on the other side of a seawall. The local police assume he got drunk and fell, but they discover that the victim was an ex-cop, meaning that his colleagues will have to be contacted. But when they take a look at the scene, they come to a different conclusion and demand an autopsy. The result leaves no doubt: Carbon monoxide poisoning.
From here, the narrative begins dividing itself between multiple parties. There’s the local investigation into the victim’s death, which is frustrated by the lack of any place where the poisoning could have been done. There’s also an investigation into the background of the victim, carried out by detectives Kusanagi and Utsumi (who both appeared in the previous novel, Salvation of a Saint), sparked by the fact that, among other information the victim payed a visit to the former home of a convicted murderer at Hari Cove in the past. There’s also Yukawa’s investigation at the town itself, and the narrative of Kouhei, a young boy sent to live with his aunt and uncle, owners of a local inn, and who Yukawa befriends.* Not to mention all the other characters.
This does cause problems for the narrative, as the whole thing gets a bit bogged down in all these plotlines. The characters are often keeping information from one another, and this results in a slightly bogged down story, especially when dealing with both investigations and more Japanese names I can’t seem to keep apart. This sounds like a petty complaint, and if the plot were more engaging it would be, but compared to what else I’ve read it’s a bit of a let down.
The problem is that the plot is too telegraphed. Most of the twists were, to me, quite obvious and easy to see coming. Even the final set of twists fell flat, at least compared to the wham-bang of books like Malice. In fairness, the cluing is there, and you can figure out what happened on the night of the murder, but the path to it is simply blah. The background also isn’t made use of, with the DESMEC idea fading by around the halfway mark. While I’m happy that Higashino didn’t take this chance to soapbox (too much, but he’s quite even-handed), I still wished that this played more of a role in the mystery.
All and all, this was one of the more disappointing reads. I admit, part of it was because of the expectations I had since this was a Higashino novel, but it does fall a little flat. It’s technically competent and well-written, but a tad too obvious and sadly, that results in a bit of a slog. Not Recommended.
*Oddly, this isn't the case in the show, where Yukawa hates kids. This has nothing to with anything, as the idea that a TV show will emulate the books is madness, but even so, this surprised me.